Father & Son

€20,95 incl. BTW

Father & Son / Christoph & Julian Prégardien / Michael Gees / Hybrid Stereo+Surround SACD

About the album
The conditions under which Schubert’s art of the song developed into a kaleidoscopically incandescent spectrum that crossed over genres and the institutionally set, historical boundaries disappear today as a rule under the pedestal that the late nineteenth century began to erect for the composer. The traces of improvisational practice were increasingly lost within a music culture that stylised the printed manuscript into a quasi sacred object. A particularly successful way of leading back to a fundamental impetus in Schubert’s art of the song is through an approach towards the songs that takes the moment of spontaneous performance seriously as a communicative act, without denying the work character of Schubert’s music. The idea of ‘one’ universal human voice seems to materialise with particular intensity in the commingling of two voices of similar timbre, which can permanently interchange and double their identity. Based on our knowledge for instance of the Schubertiade reminiscences of 1868, remembered and noted down by Moritz von Schwind, can we not imagine that the ‘Schubert singers’ Johann Michael Vogl and Karl von Schönstein might indeed have sung alternately (or even in unison)?
Christoph Prégardien:
When a second part suddenly crops up in a Schubert song, many people say of course: are we allowed to do this to Schubert? Even I had to be persuaded at first to consider the improvisational element, however, our approach to adopting it didn’t happen arbitrarily, but in the context of our awareness of music-making in past centuries.
Michael Gees:
You can formulate reasons that aren’t based on historical knowledge but ensue from the music itself. "Nacht und Träume” (Night and Dreams), for example – you listen to this music, you hear that it bears a potential within: the potential of starting out from the rather simple structure and being able to ramify practically into endlessness. This opens up spaces in which you can go on fantasising without bounds. In this context our versions are not actually “contrived”, but formed by “eavesdropping” on the music itself to a certain degree. If I hear it, I hear something like another “I”, another self, a corresponding multi-voice being.
Julian Prégardien:
In our arrangements we first and foremost wanted an encounter with the prodigious complexity of Schubert’s oeuvre in lied and to show that boundaries overlap! Schubert composed the song “Widerspruch” (Contradiction) in two versions in any case – namely the solo version and as an ensemble lied – and we are now in a way adding a third. With “Licht und Liebe” (Light and Love) we have also included an original composition for two voices, as well as dramatic ballads, convivial vocal ensembles and elegiacally meditative solo songs which we have “heard” anew and arranged in various ways.



1 Frisch gesungen
Composer: Friedrich Silcher
2 Ännchen von Tharau
Composer: Friedrich Silcher
3 O wie herbe ist das Scheiden
Composer: Friedrich Silcher
4 Loreley
Composer: Friedrich Silcher
5 Erlkönig D 328
Composer: Franz Schubert
6 Wanderers Nachtlied D 768
Composer: Franz Schubert
7 Zum Rundtanz D 983 Nr.3
Composer: Franz Schubert
8 Die Nacht D 983 Nr.4
Composer: Franz Schubert
9 Im Abendrot D 799
Composer: Franz Schubert
10 Fischers Liebesglück D 933
Composer: Franz Schubert
11 Auf dem Wasser zu singen D 774
Composer: Franz Schubert
12 Der Zwerg D 771
Composer: Franz Schubert
13 Meeres Stille D 216
Composer: Franz Schubert
14 Widerspruch D 865
Composer: Franz Schubert
15 Licht und Liebe D 352
Composer: Franz Schubert
16 Nacht und Träume D 827
Composer: Franz Schubert
17 Frühlingsstrophe
Composer: Hermann Zilcher
18 Der betrunkene Sternseher
Composer: Hermann Zilcher
19 Ein Traum ist unser Leben
Composer: Hermann Zilcher
20 Über allen Gipfeln ist Ruh
Composer: Hermann Zilcher
21 Guter Rat
Composer: Hermann Zilcher
22 Die Sonne scheint nicht mehr
Composer: Johannes Brahms
23 In stiller Nacht
Composer: Johannes Brahms
24 Erlaube mir, feins Mädchen
Composer: Johannes Brahms
25 Da unten im Tale
Composer: Johannes Brahms
26 Nachtlied
Composer: Robert Schumann
27 Weißt du, wieviel Sternlein stehen
Composer: Robert Schumann, Johannes Brahms, Franz Schubert, Friedrich Silcher, Hermann Zilcher, Cesar Bresgen
28 O du stille Zeit
Composer: Cesar Bresgen



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